35mm to 120 medium format film adapter
35mm to 120 medium format film adapter
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Discover our Film Adapter 35mm to 120 – the perfect solution to use your 35mm film cartridges in your medium format camera! Especially fun with 6x9 cameras, because there you get a panoramic format together with a wide-angle lens. Almost like a Hasselblad X-Pan, but for a fraction of the price!
Contents:
2x intermediate piece + empty spool for using 35 mm (135) film cartridges with 120 medium format cameras
All advantages at a glance:
- Easy handling: The film adapter allows for effortless switching between different film formats. This way, you can shoot more flexibly and use the appropriate films as needed.
- Versatile compatibility: This adapter fits a variety of 120 medium format cameras, including models from Hasselblad, Rolleiflex, and Mamiya. No matter which model you have - you're covered!
- High-quality workmanship - lasts a lifetime.
Try out the Film Adapter 35mm 120 and expand your photographic possibilities! You'll be amazed at how much creative freedom this adapter offers you.
Compatible with all medium format cameras, such as:
- Hasselblad 500, 503CW & 2000
- Zeiss Ikon Ercona, Ikonta and Nettar
- Zenza Bronica ETRS & SQ
- Rolleiflex 3.5 & 2.8, 6000, SL66, 6006
- Pentax 67
- Mamiya C330, 645, RB67 and RZ67
- Fujica G690 & GW690
- & more
Usage notes:
1. Flatness: Since 35mm film curves more than 120 film, you have to expect that sharpness falls off towards the edges (at the perforation). This problem mainly occurs when using the adapter with 6x9 cameras. Less problematic are cameras with removable film magazines, like Hasselblad, Zenza Bronica, Mamiya RB. and 645 Pro, Rolleiflex SL66, etc.
2. Transport control: Since 135 film has no markings, you don't know how far to advance the film transport to avoid double exposures. One way to handle this problem is to load the film and make two marks on the left and right edges of the exposable area. Then mark the position of the film transport and turn it until the right mark is at the left edge (reversed depending on transport direction).
3. Removal: If you don't want to remove the films in the darkroom (or changing bag), we recommend using a second 135 empty spool and attaching the film there with Tesa tape. You can also use empty cartridges, e.g. from the company AP, for this.
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Der Adapter funktioniert sehr gut und tut was er soll. Ich kann damit in meiner Seagull 4A neben 120er auch ganz normale 35mm KB-Filme bis zum Rand belichten (s.Bilder).
Die Nasen in der Rolle in die der Film vor dem Belichten eingesteckt wird halten gut. Man muss ein bisschen experimentieren am Anfang, aber wenn man es raushat funktioniert es problemlos.
Wichtig ist, die Rolle, die den belichteten Film aufnimmt, richtig herum einzusetzen, damit das Getriebe in der Kamera in der korrekten Geschwindigkeit angetrieben wird und die Bilder nicht überlappen.
Insgesamt macht es einen stabilen und haltbaren Eindruck, ich kann den Adapter empfehlen.
Der Filmadapter funktioniert einwandfrei. Man muss allerdings verstehen, dass eine Rollfilmkamera den Film nicht in die Patrone zurückspulen kann. Man kann daher gleich einen Wechselsack mitbestellen, um den Film wieder aus der Kamera/dem Magazin und zurück in die Patrone zu bekommen. Und ein Zettelchen mit einer Anleitung könnte man vielleicht beilegen.
Sitzt, passt, wackelt und hat Luft! Die Leute von ausgeknipst sind sehr nett, äußerst hilfsbereit und kompetent, falls man doch Probleme haben sollte.
Reviews in Other Languages
I’m highly satisfied! I especially love the little holders that are holding the negative in place. Fits well in my Pentacon six.
Better made than the opposition. Two pairs of the spacers would have been more useful. The spool, I will never use. This is a printed set of items. Be aware, printed items are inherently hairy. For camera internals we are rightly obsessive over any dust or particles. Hairy components do not suit. Be prepared to groom these components meticulously prior to slipping into your camera's light box. Then, groom them again.
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